Needless to say, I am a very happy customer and the delay in receiving the set was well worth the wait. I have never in my life seen a bedding set so elegant and gorgeous.
When I opened my package, I was absolutely blown away by how BEAUTIFUL this bedding set is. This bedding set is far more elegant and beautiful than the photos depict. I look forward to purchasing from Decor Lane in the future. I appreciate your great customer service very much. I would like to send out a special thank you to Ron and Rachel. Thank you to everyone who helped me to get this order placed, resolved and received.
I would also like to mention that I have received the most excellent customer service from Decor Lane as well. Despite the broken pendants, I am still EXTREMELY happy and satisfied with my purchase. The pendants add a high level of elegance that I do not want to lose. Although, I am disappointed, I will likely try to glue the pendants back onto the pendant pin. However, I must point out that most of my gems that were attached to the duvet cover and pillow cases are broken and have fallen off the pin.
I have never in my life seen bedding so elegant and gorgeous. When I opened my package, I was absolutely blown away by how BEAUTIFUL this bed set is. The photos do not capture the true glamour and elegance of this set. It was exhibited in the American Section of the Great Exhibition in 1851, and miniature copies were available for the rest of the century ‘so undressed, yet so refined, in sugar-white alabaster, exposed under little glass covers in such American homes as could bring themselves to think such things right,’ as the writer Henry James remarked.This bedding set is far more elegant and beautiful than the photos depict. The statue became one of the most recognizable and widely discussed figures of the second half of the nineteenth century, popularized through ballads, prints, satire, journalistic commentaries and engravings. It is not her person but her spirit that stands exposed.' 'As there should be a moral in every work of art, I have given to the expression of the Greek Slave what trust there could still be in a Divine Providence for a future state of existence, with utter despair for the present, mingled somewhat with scorn for all around her. One of the most popular American statues of the second half of the nineteenth century, The Greek Slave portrays a Greek girl captured by the Turks and put up for sale in a Middle Eastern slave market. On either side of the central panel are appliquéd silhouettes of The Greek Slave (1844).
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